A while ago, I wrote about using Ilford MG paper in a large format camera to make paper negatives, and using Ilford MG filters to control contrast. You can find... Continue reading →
Film and Darkroom
We wanted to remind you that full-time registered students are eligible for savings on a variety of equipment, from cameras and lenses, to lighting and studio equipment, as well as…
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The Tachihara Hope 4×5 field camera is a well-regarded choice among large format photographers, particularly those who value portability and ease of use. The body is constructed from wood (likely…
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Kodak Portra (introduced 1998) and Kodak Gold (introduced 1988) are two of the most popular colour negative films from Kodak, but what really is the difference between them (other than…
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Recently, I decided it might be a good idea to try Rollei Infrared 400 film with an actual IR filter while it’s nice and sunny out. That way, even with…
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I sometimes get students who bring rolls of colour film to black and white film developing sessions so I thought I'd do a quick experiment with developing a couple of... Continue reading →
This is a question I am VERY interested in, because a camera you’d display is often different than one you’d choose as your regular shooter. Like cars, cameras can give…
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The analogue workshops at Beau return for another summer! We will be doing cyanotype printing, cyanotype toning and pinhole workshops this summer, and there is a possibility that a few... Continue reading →
The Polaroid I-2 is the first analog instant camera with built-in manual controls. Paired with the sharpest-ever Polaroid lens and a unique chemistry of Polaroid film, and you have…
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My go to Black and White film to push is none other than Ilford Hp5 Plus. As some may know, rating, metering, and developing Ilford HP5 in different ways gives…
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